Jefferson Flanders

The website of author Jefferson Flanders

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The Vassiliev notebooks, American elites, and Cold War espionage

Since the end of the Cold War we have learned a great deal more about how American and British elites—government officials, diplomats, journalists, scientists, academics, engineers—spied for the Soviets, and how surprisingly widespread this activity was. Nearly twenty years after the collapse of Communism, revelations about espionage by well-placed Westerners on behalf of the KGB* or Soviet military intelligence continue to emerge.

A rich source for Cold War historians on this Soviet penetration has been once-secret intelligence files copied by two former KGB officers: Vasili Mitrokhin (who left for the West in 1992) and Alexander Vassiliev, who was provided access to the agency’s archives in the pre-Putin era. Vassiliev’s notebooks have served as a foundation for two books, The Haunted Wood, authored by Allen Weinstein and Vassiliev, and the just published Spies: The Rise and Fall of the KGB in America, by Vassiliev and two leading scholars of American Communism, John Earl Haynes and Harvey Klehr. (A full review of Spies can be found here.)

The donation of the Vassiliev notebooks to the Library of Congress, and a consideration of the findings in Spies and other recent research on Soviet intelligence operations in the U.S., prompted a May 21-22 conference sponsored by the Cold War International History Project held at the Woodrow Wilson International Center for Scholars in Washington. The conference attracted leading Cold War historians, including experts on the Alger Hiss case (R. Bruce Craig, Eduard Mark, G. Edward White), the extended Rosenberg spy ring (Ron Radosh, Steve Usdin), and Soviet atomic espionage (Gregg Herken, Robert S. Norris).

Some in the revisionist camp also attended, including Hiss defender Jeff Kisseloff, who critiqued the conference on Blogging Hisstory, and two biographers of the radical journalist I.F. Stone—D.D. Guttenplan, author of the just released American Radical: The Life and Times of I.F. Stone, and Myra MacPherson (All Governments Lie: The Life and Times of Rebel Journalist I. F. Stone )—who challenged the assertion in Spies (first broached in an excerpt in Commentary magazine) that Stone had been an active Soviet agent in the 1930s, with the code-name “Blin” (Russian for “Pancake”), acting as a courier and talent spotter.

I.F. Stone and the KGB

The question of Stone’s relationship with the KGB provoked the most heated exchanges at the conference. (In one of the more humorous moments, Vassiliev pronounced himself “bewildered by the interest in I.F. Stone.”) Was the radical journalist simply exchanging gossip and information with sources who happened to be Soviet intelligence officers, as his defenders claim? Or was he consciously working under the direction of the KGB? Journalists such as Kim Philby, Whittaker Chambers, and Hede Massing stood at the center of several 20th century espionage cases, and this was not by chance. Haynes, Klehr, and Vassiliev note in Spies that the KGB targeted journalists for recruitment—an internal report listed 22 journalists working for the agency in the 1930s, with only engineers/scientists (49) providing more agents. The authors add:

The KGB recruited journalists in part for their access to inside information and sources on politics and policy, insights into personalities, and confidential and non-public information that never made it into published stories.

Spies asserts that Stone worked for the KGB from 1936-1938, and cites a key passage from a May 1936 letter to Moscow as proof: “Relations with Pancake have entered the channel of normal operational work.” In a presentation on the second day of the conference, journalist Max Holland summarized his Journal of Cold War Studies essay on Stone’s encounters with Soviet intelligence, and concluded that Stone had indeed performed intelligence functions for the KGB in the late 1930s. As for Stone’s career post-1938, Holland reviewed the few references to Blin/Pancake in intercepted Soviet cables (decrypted as part of the U.S. Venona counterintelligence effort), and comments made in 1992 by KGB operative Oleg Kalugin that appeared to implicate Stone. Holland’s conclusion: there is no hard evidence suggesting further KGB operational control of the radical journalist after 1938.

Holland also considered a different, and somewhat provocative, question. To what extent did Stone’s contact with Soviet intelligence, both covert and overt, influence his writing over the course of his life? At given points in his career, did he consciously retail KGB disinformation? Or did Stone’s radical views simply, and naturally, correspond to the Stalinist line?

It is a complex question: Holland found that Stone embraced doctrinaire Comintern positions on the Spanish Civil War and the Great Terror, but remained doggedly independent in calling for American intervention against the Nazis (even during the Hitler-Stalin pact). Yet Stone’s 1952 The Hidden History of the Korean War, which parroted Soviet propaganda in blaming a U.S. conspiracy for starting the Korean conflict, seems suspect in light of what we now know. Did the KGB encourage Stone to write The Hidden History of the Korean War? The book’s obvious bias led Richard Rovere of The New Yorker to categorize Stone as “a man who thinks up good arguments for poor Communist positions.” After Stone’s public break with Stalinism in 1956, however, Holland found Stone pursuing an anti-establishment journalism with no signs of outside influence.

Yet Stone remained remarkably quiet about the high-profile espionage cases of the late 1940s and 1950s, according to Holland. Stone was notably silent about the Hiss case (“perhaps it cut too close”) and Stone confined his commentary on the Rosenbergs to questioning the fairness of their death sentence (never directly addressing their guilt or innocence). Had he not been conflicted about his own past, what might have Stone contributed to the discussion about the extent of Soviet control of the American Communist Party and its implications for national security?

Stone’s reputation has been badly damaged by the revelations in Spies; Holland’s essay raises further questions about the nature of Stone’s relationship with Soviet intelligence after 1938. Concealing a secret past hardly fits Stone’s iconic public image of an independent journalist committed to openness and transparency, but it would have been natural for Stone to want his association with Soviet intelligence to remain hidden. One Venona intercept highlighted Blin/Pancake’s fear of exposure—while he was open to collaboration, he didn’t want to “spoil his career.” What was the psychic cost of Stone’s decades-long deception? How may it have shaped Stone’s journalism? These intriguing questions may never be answered.

Alger Hiss and “Ales”

If some ambiguity remains about the depth and breadth of Stone’s involvement with the KGB, it’s hard to find any remaining ambiguity in the case of American diplomat Alger Hiss. As Spies notes, the Vassiliev notebooks provide additional confirmation of what Whittaker Chambers long maintained and Allen Weinstein’s book Perjury confirmed: despite his protestations of innocence, Hiss spied for the GRU during the 1930s and 1940s. (A prominent New Deal liberal, Hiss was accused in 1948 by Chambers of spying for the Soviets, and convicted on a related perjury charge in 1950.)

In his presentation to the conference, historian Eduard Marks knocked down a theory advanced by Kai Bird and Svetlana Chervonnaya in The American Scholar and embraced by die-hard Hiss defenders: that former journalist Wilder Foote—not Alger Hiss—was “Ales,” the code name for an American State Department official spying for the Soviets. (I’ve previously written about the holes in the Bird/Chervonnaya thesis in “Wilder Foote and ‘The Mystery of Ales’.“)

Mark drew on the Vassiliev notebooks and other research to conclude (as does Spies) that Hiss alone fit the profile of Ales drawn from cables sent on March 5 and 30, 1945 by the KGB station chief in Washington, Anatoly Gorsky. Gorsky had informed Moscow on March 5 that Ales was in Mexico City with a State Department delegation. Bird and Chervonnaya documented that Hiss was in Washington that day, therefore, they maintained, eliminating him as a candidate for Ales. They argued that Foote, who had remained in the Mexican capital, had to be the Soviet agent.

The Bird/Chervonnaya theory presumed that Gorsky was relaying information he knew to be accurate. Yet in his remarks Mark pointed to Gorsky’s confusion about the whereabouts of Hiss’ handler (“Ruble”/Harold Glasser) as proof that the Russian was not particularly well-informed. Mark added that Hiss had been listed by the State Department as part of the Mexico City delegation on March 5. Gorsky was mistaken: he was reporting about GRU agents, not KGB-controlled ones, so his information was second-hand, and faulty. Finally, Mark found no facts during his research to support the Foote-as-Ales theory, which, it is fair to say, resembles magical thinking more than it does serious historical inquiry.

The question of closure

Many previously unanswered questions about Cold War KGB espionage have been resolved by the Vassiliev notebooks and subsequent research. Spies has “outed” a number of Soviet agents and has provided greater specificity in the Hiss and Rosenberg cases.

Yet there remains much we don’t know. Revelations about Soviet spying have continued to emerge. In 2007, Russian intelligence officials honored George Koval, “the spy who came in from the cornfields,” a previously unknown GRU agent who had infiltrated the Manhattan Project. In 2008, 91-year-old Morton Sobell admitted that he and Julius Rosenberg had been Soviet agents during the 1940s. Near the end of 2008, an American scientist at the Los Alamos weapons lab who had betrayed the secrets of the hydrogen bomb to the Soviets in the 1950s was identified by Robert S. Norris as Darol Froman.

In May, Germans learned that the West German policeman, Karl-Heinz Kurras, who killed a left-wing demonstrator in 1967 with “the shot that changed Germany” and ignited violent radicalism, was actually an East German Stasi agent. While Kurras has denied he acted as a provocateur, some have suggested that the history of German extremism in the late 1960s and 1970s may need to be rewritten. Further, the head of the Stasi archives reports that there are many East German secret police files yet to be examined.

The history of Cold War espionage is incomplete. There are questions still to be resolved. What do the full KGB and GRU archives contain? What further connections might historians make if granted access to the files? Are there other members of the British or American elite who betrayed their country? Are there covert agents yet to be identified? Have the GRU’s files on Walter Krivitsky, George Koval, Whittaker Chambers, Alger Hiss and other agents been preserved? What might that information add to our knowledge of Soviet espionage in the 20th century?

Unfettered access to the Soviet archives would, no doubt, give us a clearer picture of the extent of betrayal of the Western democracies by some of its elites. As the Vassiliev notebooks have demonstrated, some of what we learn will cause a rethinking and reappraisal of Cold War history. With a resurgent Russia, that is as it should be, for as G.K. Chesterton once observed, we can be almost certain of being wrong about the future, if we are wrong about the past.<./p>


*For the purposes of this essay, I use “KGB” to describe the Soviet foreign intelligence service and “GRU” for Soviet military intelligence, although both had several name changes during the 20th century.

Copyright © 2009 Jefferson Flanders
All rights reserved

Herman Melville’s “Bartleby the Scrivener” and the world of work

Herman Melville knew not only how to tell a straightforward story, but also how to slyly include enough different elements, literary references, and symbols to add several layers of meaning to his tales; this ability to fuse narrative and symbolism is on full display in “Bartleby The Scrivener,” a longish short story first published in 1853.

Melville understood the value of ambiguity. By making the character of Bartleby, a legal scrivener (or copyist), so strange, so opaque, and so memorable, Melville insured the story’s lasting appeal. We never learn why Bartleby “prefers not” to tackle his office duties, and the underlying reasons for his stubborn resistance remain unexplained. As “Bartleby the Scrivener” begins, its narrator, the Wall Street lawyer who employs Bartleby, emphasizes the man’s mysteriousness:

Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and in his case those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him…

Brown University’s Arnold Weinstein has noted that this “blank Bartleby” has encouraged multiple readings of the character. Who is Bartleby? Who is he meant to represent? Some critics have viewed Bartleby as a stand-in for many of Melville’s sometimes difficult contemporaries (Edgar Allen Poe, Henry Thoreau, Ralph Waldo Emerson, Nathaniel Hawthorne) or for Melville himself. Was Bartleby a response to the negative reviews and flagging sales of Melville’s novels Moby-Dick (1851) and Pierre: or, The Ambiguities (1852), a suggestion that Melville “preferred not” to produce more accessible and less metaphorical fiction, even if readers preferred it? A different interpretation casts Bartleby as a Christ-like figure, misunderstood and persecuted by the world; those of a Marxist bent see him as the archetype of the office worker resisting the mind-numbing demands of exploitative capitalism.

Not every reader of Melville appreciates his fondness for the baroque and not all critics have delighted in his literary tricks. The English novelist D.H. Lawrence, in a critique of Moby-Dick, disapproved of what he called Melville’s attempt to “square himself with the intellectual world by dragging in deliberate transcendentalism, deliberate symbols and ‘deeper meanings.’ All this is insufferably clumsy and in clownish bad taste: self-conscious and amateurish to a degree, the worst side of American behavior.” In contrast, Lawrence writes, when Melville “renders us his sheer apprehension of the world…” then “he is wonderful” and his writing commands “a stillness in the soul, an awe.”

“Bartleby the Scrivener” does give us more “sheer apprehension of the world” and it can be read in simpler terms, as a story highlighting the tensions and contradictions in relationships at work. Melville caught some of the absurdity and alienation of office work at a time when most Americans made their living on farms. Bartleby’s eccentric office-mates—Nipper, Turkey, Ginger Boy—would fit right into the hijinks at the Dunder Mifflin Paper Company of the television sit-com “The Office.”

A prudent narrator

One entry point for the story is the narrator, Bartleby’s boss, whose dealings with his strange employee provide Melville’s narrative arc. The narrator/lawyer decribes himself as “rather elderly man,” one who is “eminently safe,” and he is sure to note that he has been praised by the famous financier John Jacob Aster as prudent and methodical. Yet the narrator has been living an “unexamined life” (to borrow a phrase from the transcendentalists). Proud of his commercial success and prudence, with a “natural expectancy of instant compliance” from his employees, he is totally unprepared for Bartleby’s resistance (“I would prefer not to”) and rejection of convention. Bartleby’s response puts the narrator strangely on the defensive. The lawyer regards himself as a decent, Christian man and we sense that he is not completely comfortable with wielding authority over his “pallidly neat, pitiably respectable, incurably forlorn” employee. He cannot bring himself to confront Bartleby directly, and becomes profoundly linked to this strange employee:

Gradually I slid into the persuasion that these troubles of mine touching the scrivener, had been all predestinated from eternity, and Bartleby was billeted upon me for some mysterious purpose of an all-wise Providence, which it was not for a mere mortal like me to fathom.

The lawyer tries to cope with the situation rationally: he attempts to reason with Bartleby, to negotiate with him, and, finally, to pay him to go away. He finds that he cannot alter Bartleby’s insistence on withdrawing from work and from life. It is only the fear that “the strange creature I kept at my office” will damage his reputation, and hurt his law practice, that leads him to end their relationship, but even then he cannot do it directly, instead moving his office to escape Bartleby, this “intolerable incubus.”

Yet the narrator remains haunted by Bartleby. What does he owe him? Where does his responsibility end? All of his attempts to help Bartleby are rebuffed, but the lawyer still feels guilty when Bartleby’s stubborn rejection of the conventional costs him his life.

Some of the lasting appeal of the story is that it reflects, in exaggerated form, the natural workplace tension between boss and employee. How does the manager exercise his or her authority? By command and control or through gentle persuasion? And who ends up with the real power in the relationship? After all, the worker is not without leverage—sabotage or deliberately shoddy work is always an option, or (as with Bartleby) passive-aggressive resistance.

The puzzle of Bartleby

The close to “Bartleby the Scrivener” (what the narrator calls a sequel), fails to solve the puzzle of Bartleby. We learn that Bartleby served as a clerk in the Dead Letter Office in Washington and had lost his job with a change in administration. (Some critics have argued that the Dead Letters represent Melville’s failed novels, and that Bartleby’s despair reflects Melville’s despondency over what he thought was a dead-end for his writing.) The narrator draws a connection between Bartleby’s prior occupation and his eventual breakdown: “Conceive a man by nature and misfortune prone to a pallid hopelessness, can any business seem more fitted to heighten it than that of continually handling these dead letters and assorting them for the flames? For by the cart-load they are annually burned.”

But somehow Bartleby’s tacked-on past doesn’t seem enough to explain his bizarre behavior, his deadened affect, his anhedonia. His alienation and separation must have deeper and hidden psychic roots, but Melville deliberately leaves the mystery of this strange, ghostly scrivener unsolved.

Copyright © 2008 Jefferson Flanders
All rights reserved


Jefferson Flanders is author of the Cold War thriller Herald Square.

Morton Sobell, Soviet espionage, and Cold War mysteries

For those interested in Cold War history, one of the more surprising stories of 2008 was the admission by Morton Sobell that he and Julius Rosenberg had been Soviet agents during the 1940s.

Why did Sobell, now 91 years old, a former spy in the winter of his life, decide to tell the truth to Sam Roberts of the New York Times, after having proclaimed his innocence since his trial and conviction on espionage charges in 1951? Was he tired of lying on behalf of a discredited Marxist-Leninist ideology? (“Now, I know it was an illusion,” Sobell told Roberts. “I was taken in.”)

Did he no longer care about any embarrassment and pain he might cause for that dwindling legion of defenders who had proclaimed his innocence, and that of Julius and Ethel Rosenberg, for more than half a century? (His stepdaughter told Roberts that Sobell’s confession “complicated history and the personal histories of the many millions of people, all over the world, who gave time, energy, money and heart to the struggle to support his claims of innocence.”) Did he want to set the historical record straight while he still could? Or did Sobell hope to preempt embarrassing disclosures in Rosenberg case grand jury testimony about to be released? (Ron Radosh, the leading historian of the Rosenberg case, believes Sobell broke his silence because, contrary to his public statements, the released testimony would make it “clear that Mr. Sobell had access to important classified military data, and was in a position to hand it over to the Soviets.”)

In the fullest account of the Roberts-Sobell conversation, it’s clear that Sobell remains conflicted about his dealings with the Soviets:

“I haven’t considered myself a spy,” he said. “Isn’t that funny? You use that word ‘spy,’ it has connotations.”

Was Julius Rosenberg a spy?

“He was a spy, but no more than I was,” Sobell replied. “He gave nothing, in the end it was nothing. The sketch was negligible and the government lied in presenting it as the secret to the atomic bomb. They never harmed this country, because what they transmitted was wrong.”

Further, Sobell argued he had passed information to a World War II ally, the Soviet Union, not then an American adversary—an excuse used by many on the Old Left to defend the Communist spies of the period. This, of course, ignores the fact that (as Radosh has tartly noted) the Rosenberg network commenced spying during the period of the Hitler-Stalin Pact, prior to Germany’s 1941 invasion of Russia.

Yet Sobell’s attempts to downplay his and Julius Rosenberg’s culpability can be seen as signs of deep psychic conflict. Some of the Soviet atomic spies have been less repentant. Ted Hall, the Harvard-trained physicist perhaps most responsible for passing the design of the atomic bomb to the Russians, expressed little regret for his actions. (Hall deserves a special place in Harvard’s 20th century Hall of Shame alongside Nazi publicist Ernst “Putzi” Hanfstaengl). After his death, Hall’s wife published a brief memoir in 2003 which included the following passage:

He [Hall] said that if he had then understood the real nature of Stalin’s dictatorship, he would not have had the stomach to share information about the atomic bomb with the USSR. However, looking back, he concluded that though he had been mistaken about some important things, ultimately his decision had proved right. In the early postwar period the risk that the US would use the bomb, for example against China or North Korea, was really serious. Hawks in the government seemingly had no comprehension of the danger this would involve for the whole world, and certainly no concern for the human lives they would have destroyed. If they had not been made cautious by the Soviets’ retaliatory power, enhanced to an unknown extent by the contributions of Ted and (far more importantly) [Klaus] Fuchs, there is no telling what they might have been capable of.

To his credit, Sobell appears ashamed of his “contributions,” and has refrained from claiming the moral high ground for his treachery. Instead, he has tried to minimize whatever damage he and Julius Rosenberg may have caused by passing classified military information, although the details they provided the Russians about American radar may have been used against U.S. planes in Korea and Vietnam.

Other repercussions

Sobell’s confession was jarring to many Rosenberg defenders, as Roberts of the Times chronicled in his piece “A Spy Confesses, and Still Some Weep for the Rosenbergs.” It also prompted the Rosenberg’s sons, Michael and Robert Meeropol, to acknowledge that their father, Julius, had been involved in espionage, although, they maintained, of a non-atomic sort. They continued to argue for their mother’s innocence and for prosecutorial misconduct in the case. (Certainly the executions of the Rosenbergs represented a failure of justice, as the death sentence was grossly disproportionate.)

Sobell’s admission also had to represent a chilling development for those last-ditch defenders of Alger Hiss, another Cold War figure accused of spying for the Soviets and convicted of perjury on a related charge in 1950. Hiss steadfastly maintained his innocence until his death at the age of 92 in 1996. Sobell’s confession suggested that decades-long protestations of innocence might not be indicative of anything.

There was some gloating, as well, by those who were proved right about the Rosenberg spy ring, and some attempted score-settling. In the New Republic, Martin Peretz went after Victor Navasky, former editor and publisher of The Nation, calling him “the cheerleader of the ‘everybody was innocent’ school in American sentimental thought about communism and its fellow-travelers” and challenging the Columbia University journalism professor to acknowledge that “innocence of the Rosenbergs is now exposed as false.” (Navasky on Sobell and Rosenberg: “these guys thought they were helping our ally in wartime, and yes, they broke the law, shouldn’t have done what they did, and should have been proportionally punished for it; but the greater betrayal was by the state.”)

Cold War mysteries

While Morton Sobell confirmed what most Cold War scholars had already accepted—the existence of the Rosenberg spy network—there are still questions about the extent of Soviet espionage in the United States in the 1940s and 1950s, and how deeply the American military/scientific establishment was penetrated.

For example, nearly 350 Americans had some sort of covert relationship with Soviet intelligence in the 1940s, according to Venona Project decrypted Russian cables. Historians John Earl Haynes and Harvey Klehr have matched roughly half of the Venona code names with individuals. What more might we learn if more identifications could be made? How might that alter our understanding of U.S.-Soviet relations during the period?

Western scholars had some access to KGB and GRU archives after the fall of the Soviet Union, and much was learned about the clandestine links between the American Communist Party and Soviet intelligence. The rise to power of Vladimir Putin curtailed much of that research, although there have still been surprise revelations, such as the naming in 2007 of George Koval, “the spy who came in from the cornfields,” as a GRU agent who infiltrated the Manhattan Project.

And Thomas C. Reed and Danny B. Stillman’s just published “The Nuclear Express: A Political History of the Bomb and Its Proliferation” makes the claim that an American scientist at the Los Alamos weapons lab betrayed the secrets of the hydrogen bomb to the Soviets in the 1950s. The authors do not name the alleged spy, but say that the FBI bungled its investigation of the security breach. (Nuclear weapons expert Robert S. Norris has suggested that the alleged spy was Darol Froman, a long-time Los Alamos scientist.)

No doubt the Russians could clear up more of these Cold War mysteries, but a Kremlin dominated by former KGB officials has resisted further transparency. It may take a recrudescence of glasnot, and the reopening of the Soviet-era archives, for the full historical story to be told.

Copyright © 2008-2009 Jefferson Flanders
All rights reserved

Confronting reality: Occam’s Razor and the 9/11 “Truth Movement”

When I walked across Cooper Square last Thursday just after dark, I found two columns of bluish light rising into the Manhattan night sky, an illuminated reminder of the Sept. 11, 2001 terrorist attack on the World Trade Center. The “Tribute in Light” was a sight that stirred memories of that tragic day in New York seven years ago, and all that has followed.

It is a changed country now: innocence lost; American soldiers and marines in combat in Afghanistan and Iraq; and many Americans deeply conflicted about the “War on Terror” and what focusing on homeland security means for civil liberties in a democratic society. And, after the terrorist bombings in Madrid and London, and numerous foiled plots, there is a deep unease about our continued vulnerability to terrorism.

Others have responded to the danger of Islamic terrorism, however, by minimizing the threat, or blaming the victim, or embracing conspiracy theories that obscure the reality of 9/11. I found evidence of that last week when, along with John Ray, a very bright Carnegie-Mellon student who blogs at Conspiracies R Not Us, I appeared on the Toronto-based show “The Agenda with Steve Paikin” to offer the skeptics’ view of the “evidence” behind 9/11 conspiracy theories. Also on the show: two Canadian academics, Graeme MacQueen and Michael Keefer, who argued that the American government deliberately staged the attacks on the World Trade Center and the Pentagon to provide a pretext for war in the Middle East. (You can view the program in its entirety here.)

I was somewhat surprised that MacQueen and Keefer proved to be such fervent members of the 9/11 “Made it Happen on Purpose” (MIHOP) school, because it’s a hard position to defend considering its logical gaps and inconsistencies. For starters, MIHOP advocates won’t concede the obvious: that 19 Arab terrorists hijacked four airplanes on 9/11; that Al Qaeda engineered the attacks; that jetliners loaded with fuel made effective weapons; and that the explanations of structural engineers and fire safety experts for why the World Trade Center towers and nearby buildings collapsed make sense. Instead, most in the MIHOP school contend that the Twin Towers and World Trade Center 7 were brought down by controlled demolition; many think the Pentagon was hit not by a plane but by a missile; and few accept what they call the “official story” about the crash of United 93 in Shanksville, Pennsylvania. MIHOP believers see “an inside job” and/or a “false flag operation” behind the events of 9/11 and blame the “neo-cons” in the Bush Administration (and sometimes, with an anti-Semitic twist, the Israeli intelligence agency, Mossad, as well).

Occam’s Razor and 9/11 conspiracies

As I pointed out on “The Agenda,” these grand conspiracy theories violate Occam’s Razor, the insight of a 14th century Franciscan that the simplest explanation for a phenomenon is the best. These theories also run afoul of basic logic: Why crash airliners into buildings AND bother rigging them beforehand for controlled demolition? Wouldn’t the attacks alone be enough of a provocation? For that matter, why bother with hijacking planes? Wouldn’t a massive truck bomb, or bombs, work just as well and present fewer logistical challenges? Why not replicate the 1993 truck bombing of the World Trade Center (or Oklahoma City)? Why make the conspiracy so elaborate and so complex?

The controlled demolition theory doesn’t make much sense either. To rig a large office building with explosives takes professional demolition firms months to accomplish. How could massive amounts of explosives been placed secretly in three skyscrapers, let alone one, without detection? And as John Ray noted, the larger the conspiracy gets, the greater the number of people involved—to the point where hundreds of thousands must be part of the “cover-up.” Would they all remain silent? Would no one be moved to confess? With all of the media attention following 9/11, wouldn’t the secret have leaked out? Further, there isn’t any evidence of controlled demolition, something that the National Institute of Standards and Technology (NIST) noted in its reports on the collapse of WTC 1, 2 and 7: no witnesses, no seismic record, no demolition equipment in the wreckage.

The “Alice in Wonderland” nature of the MIHOP fantasies makes them relatively easy to debunk. The Let It Happen on Purpose (LIHOP) argument, on the other hand, while also flawed, relies on a more subjective approach to the question of 9/11. LIHOP advocates say 9/11 happened because the Bush Administration had advance knowledge of Al Qaeda’s plans and, eager to fight a war for oil, either turned a blind eye to the plot, or worked to facilitate it. There is no “smoking gun” evidence for LIHOP, and the record suggests incompetence, indifference, and ignorance on the part of the authorities, not collusion, but since LIHOP asks us to assume the worst about the U.S. government, it has gained adherents from the far Left and Right, and will continue to attract support.

Confronting the reality of 9/11

My appearance on “The Agenda” provoked further comment in the days that followed: I received several emails from Canadians (including those from a retired pilot and a firefighter) apologizing for what they saw as the anti-Americanism of MacQueen and Keefer, and assuring me that most Canadians accepted the reality of 9/11. I replied that no apologies were necessary, that Canada had supported the U.S. in its pursuit of Al Qaeda and the Taliban in Afghanistan, and that the leaders of the 9/11 “Truth Movement” were Americans. I also received some nasty feedback from foot soldiers in that movement, denouncing me as a CIA media plant and hinting darkly of the fate that awaited such “traitors.”

Despite their nastiness, my sense is that that the 9/11 “Truth Movement” is losing ground. The debunking done by Popular Mechanics, the BBC, and independent bloggers and skeptics, and the recent release of the NIST’s WTC 7 report ruling out controlled demolition as a cause of the building’s collapse, has put the 9/11 deniers on the defensive.

At the same time, it seems that many in the U.S. are slipping back into a pre-9/11 complacency on the question of terrorism. A CNN/Opinion Research Corp. poll released last week found only one in 10 Americans who say terrorism is the most important issue in voting for president, and “concerns about an impending terrorist strike are at the lowest point on record” since 9/11.

Also last week the New York Times carried a chilling op-ed piece by Jeffrey Goldberg of the Atlantic (“On Nov. 4, Remember 9/11“) warning of the dangers of nuclear terrorism and noting that “[m]any proliferation experts I have spoken to judge the chance of such a detonation to be as high as 50 percent in the next 10 years. I am an optimist, so I put the chance at 10 percent to 20 percent.” Goldberg doesn’t flinch from confronting the reality of 9/11 seven years later: “The next president must do one thing, and one thing only, if he is to be judged a success: He must prevent Al Qaeda, or a Qaeda imitator, from gaining control of a nuclear device and detonating it in America.” It is advice that we can only hope that Senator Obama or Senator McCain will heed.


 

Debunking some specific claims made by MacQueen and Keefer on “The Agenda”

 

John Ray and I tried to refute as many of the outlandish claims made by Professors MacQueen and Keefer during our appearance on “The Agenda.” We didn’t get to deal with all of them, and so, in the interests of setting the record straight, I am offering a more detailed debunking of six of their claims.

1. American air defenses were deliberately weakened by war games on 9/11. FALSE.

While it is true there were a number of military exercises that day, it made no difference in the readiness of the American military to respond to a hijacked jet, and, if anything, might have allowed a quicker response to terror attacks (if there had been more timely communication between civilian air traffic controllers and their military counterparts, which there wasn’t). There were only 14 fighter jets on alert in the contiguous 48 states, none of which were diverted because of the “war games.”

SEE: Popular Mechanics, “Debunking the 9/11 Myths” and the website Debunk 9/11 Myths.

2. The National Institute of Standards and Technology (NIST) has been politicized by the Bush Administration, and therefore cannot be trusted to investigate the WTC collapses. FALSE.

There is no evidence that NIST has been politicized. The WTC reports were reviewed by professional associations of architects, structural engineers, and fire safety experts (for example, the American Society of Civil Engineers (ASCE), the Structural Engineers Association of New York (SEONY), and National Fire Protection Association) without anyone questioning NIST’s objectivity, professionalism or adherence to the scientific method. The one dissenter cited by Professor Keefer, fire safety expert James Quintiere, has differed with NIST over its investigative approach but agreed with NIST’s conclusion that controlled demolition was not involved. In Quintere’s comments on NIST’s WTC 7 report, he dismissed demolition claims, according to Newsday:

Quintiere stressed, however, that he never believed explosives played a role. He said NIST wasted time employing outside experts to consider it.

3. At the Zacarias Moussaoui trial, the FBI testified that conservative commentator Barbara Olson could not have called her husband from the doomed flight (AA 77) that crashed into the Pentagon. FALSE.

The FBI identified one interrupted phone call from Olson, and could not determine who was the source for four other calls from the plane. It is likely that some of these unidentified calls were made by Olson, as reported by her husband. The 9/11 Commission reported:

The records available for the phone calls from American 77 do not allow for a determination of which of four “connected calls to unknown numbers” represent the two between Barbara and Ted Olson, although the FBI and DOJ believe that all four represent communications between Barbara Olson and her husband’s office (all family members of the Flight 77 passengers and crew were canvassed to see if they had received any phone calls from the hijacked flight, and only Renee May’s parents and Ted Olson indicated that they had received such calls).The four calls were at 9:15:34 for 1 minute, 42 seconds; 9:20:15 for 4 minutes, 34 seconds; 9:25:48 for 2 minutes, 34 seconds; and 9:30:56 for 4 minutes, 20 seconds. FBI report, “American Airlines Airphone Usage,” Sept. 20, 2001; FBI report of investigation, interview of Theodore Olson, Sept. 11, 2001; FBI report of investigation, interview of Helen Voss, Sept. 14, 2001; AAL response to the Commission’s supplemental document request, Jan. 20, 2004.

SEE: 9/11 Commission Report, Note 57

4. The WTC 7 fires “died down” and couldn’t have caused the thermal expansion described by NIST and the resulting progressive collapse. FALSE.

Fires raged, unchecked, on many floors of WTC 7 for some seven hours. Firefighters reported this at the time, and FEMA and NIST found photographic evidence of this.

SEE: Photos here from the scene.

5. The steel sample taken from WTC 7 had damage suggesting the impact of thermite or some unexplained chemical. FALSE.

Here’s what the BBC has reported about his claim.

In New England the claims of the mysterious melted steel from Tower Seven has been unravelled at the Worcester Polytechnic Institute near Boston.

Professor Richard Sisson says it did not melt, it eroded. The cause was the very hot fires in the debris after 9/11 that cooked the steel over days and weeks.

Professor Sisson determined that the steel was attacked by a liquid slag which contained iron, sulphur and oxygen.

However, rather than coming from thermite, the metallurgist Professor Sisson thinks the sulphur came from masses of gypsum wallboard that was pulverised and burnt in the fires. He says:

“I don’t find it very mysterious at all, that if I have steel in this sort of a high temperature atmosphere that’s rich in oxygen and sulphur this would be the kind of result I would expect.”

SEE: BBC News, “The Conspiracy Files

6. WTC 7 is the only steel-framed skyscraper in the world to have collapsed solely because of fire. TRUE.

WTC 7 is also the only steel-framed skyscraper with vulnerable long-span construction subjected to unchecked fires for seven hours (a sprinkler system was disabled when the water main broke). 9/11 “Truth Movement” advocates point to office tower fires in Madrid and Caracas which didn’t bring those structures down, yet fail to note that these buildings had their steels columns encased in cement (unlike WTC 1, 2 and 7).

SEE: Debunking 9/11 Conspiracy Theories


An extended commentary on the 9/11 “Truth Movement” can be found at “Exposing the 9/11 conspiracy fantasies.”

Copyright © 2008 Jefferson Flanders
All rights reserved

C.J. Sansom’s Winter in Madrid and the literary lure of the “Good Fight”

Winter in Madrid Both American presidential candidates, John McCain and Barack Obama, named Ernest Hemingway’s For Whom the Bell Tolls when asked recently by journalists to cite their favorite novel. McCain has said that during his captivity in North Vietnam as a POW he recited portions of the book to himself.

It’s intriguing that both McCain and Obama chose a novel set not in the United States, but in Spain during its fratricidal Civil War in the late 1930s.

The protagonist of For Whom the Bell Tolls is an American, however, Robert Jordan, a leftist college professor and International Brigades volunteer who embarks on a dangerous mission to blow up a strategic bridge in the Iberian hill country. At least one conservative writer, Michael Knox Beran, has tartly suggested that McCain should find a different favorite, one that isn’t “a maudlin lament for a socialist bridge-bomber.”

There is some irony in Beran’s critique of the politics of Hemingway’s novel, because the hard Left in the United States, including some of the American Communists who served in the Abraham Lincoln Battalion (part of the International Brigades), ferociously attacked the book (and its author) after its publication in 1940. These critics, among them former Lincoln commander Milton Wolff, objected to Hemingway’s negative portrayal of Soviet motives and tactics in Spain and to his unsparing and harsh portraits of political commissar André Marty (known as the “Butcher of Albacete” for his purge of non-Communists in the International Brigades) and the Communist leader Dolores Ibárruri, the Leftist icon also known as La Passionara. (Hemingway, never one to duck a fight, responded directly and profanely to those he called the “ideology boys.”)

Hemingway made a distinction between supporting the Loyalist cause, as did his fictional character Robert Jordan, and endorsing the Soviet strategy of deception and manipulation in dealing with the Republican government. Such an approach was anathema to the hardliners. There’s an amusing anecdote (recounted in Peter Carroll’s The Odyssey of the Abraham Lincoln Brigade: Americans in the Spanish Civil War) involving the actor Gary Cooper, Hemingway’s choice to play Robert Jordan in the film of For Whom the Bell Tolls, and Alvah Bessie, a Lincoln veteran and screenwriter. During the filming, Bessie lectured Cooper about how the Spanish conflict hadn’t been a civil war, as Cooper believed, but instead was a German and Italian invasion designed to overthrow the legal government of Spain. Cooper’s laconic, and classic, response: “That so? That’s what so great about this country…a guy like you can fight in a war that’s none of his business.”

Art and the “Good Fight”

It’s not hard to see why the “Good Fight” (as the Spanish struggle was dubbed) inspired artists, poets, playwrights, novelists and short story writers from the start. The conflict was rich with dramatic, and tragic, elements. Writers have been drawn by the idealism of many of the defenders of the Republic, and by the idea that the Spanish hostilities represented a dress rehearsal for World War II. Some of the best works about the conflict, such as George Orwell’s Homage to Catalonia and Hemingway’s novel, have explored the tensions within the ranks of the Loyalists. This artistic and literary fascination with the “Good Fight” has continued into the 21st century as evidenced by a continuing stream of books (fiction and non-fiction) about the Spanish Civil War and the International Brigades, including English author C.J. Sansom’s Winter in Madrid, a best-seller in Britain.

Sansom has set his fictional story in 1940 Madrid, a year after General Francisco Franco’s victory over the Loyalists, and Winter in Madrid shines brightest in its evocative portrayal of the grim life in Spain’s capital city: the compromises, and sacrifices, required for survival. The novel’s protagonist, Harry Brett, a veteran of Dunkirk, is recruited by British Intelligence to spy on a former schoolmate, Sandy Forsyth, who is involved in shady business dealings with the Spanish government. Brett’s mission exposes him to the corruption and venality of the Nationalist victors, and to the growing rivalry between the Royalist and Falange wings of Franco’s regime.

Sansom’s characters reflect the range of British attitudes toward the Spanish conflict. Harry Brett is a self-described liberal Tory (“As far as I am concerned, Spain before the Civil War was rotten with chaos, and the Fascists and Communists both took advantage”). The crypto-Fascist Forsyth is balanced by a British Communist, Bernie Piper, an internationalist who embraces the Republican cause as part of a broader struggle against Fascism. And there is an English Red Cross nurse, Barbara Clare, an idealistic, but fragile, fellow traveler who becomes romantically involved with both Piper and Forsyth. The three men—Brett, Piper and Forsyth—have all attended Rookwood, a traditional British public school, and Sansom intersperses flashbacks of their school days throughout the pages of Winter in Madrid, linking past and present friendships and rivalries. That’s a lot of baggage for any novel to carry, and Sansom struggles to pull off the dual narratives.

He also misses the mark in his characterization of Forsyth, a straight-from-Central-Casting sadist, exactly the sort of predictable Fascist bad guy found in innumerable World War II thrillers. Franco’s Spanish supporters are also uniformly portrayed by Sansom as grasping, or evil, or both. Yet, it is possible for a novelist to write about the complex human dimensions of those loyal to a twisted ideology. For example, Alan Furst has created a number of fully-rounded characters drawn to totalitarian creeds in novels like The World at Night, Kingdom of Shadows, and Dark Star, and David Downing’s Zoo Station and Silesian Station give us flesh-and-blood Germans struggling to retain their decency in Nazi Germany. Winter in Madrid would have been better served by grays instead of black-and-white, and it would have been a much better novel if Sansom had risked more by creating less predictable, and less cliched, villains.

To his credit, Sansom gets his history right. There’s no whitewashing of Comintern treachery during the Civil War, and also no shying away from the post-war reality of Nationalist brutality. At one level, Winter in Madrid can be read as an indictment of Britain’s accomodationist policy toward Franco and the Spanish Right in the 1930s and 1940s, and yet Sansom acknowledges that by the time of the Battle of Britain, Whitehall’s options had narrowed. No matter how distasteful the Franco regime might be, keeping Spain out of an alliance with the Germans had to shape British policy.

Sansom’s imaginative leap in setting Winter in Madrid after the end of the civil war deserves praise as well. We see Spain confronting not only the human costs of its ideological death struggle—the shattered veterans, the orphans, the despairing widows—but also the grim prospects of life under a dictatorship. It is a fascinating, and haunting, story and Winter in Madrid tells it well.


Copyright © 2008 Jefferson Flanders
All rights reserved

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